Class XII: Poetry - An Elementary School Classroom in a Slum

An Elementary School Classroom in a Slum
By Stephen Spender

About the author




Sir Stephen Harold Spender was born on February 28, 1909, in London. He attended Oxford University and fought in the Spanish Civil War. In the 1920s and 1930s he associated with other poets and socialists, such as W.H. Auden, Christopher Isherwood, Louis MacNeice, and C. Day Lewis, and his early poetry was often inspired by social protest. During World War II Spender was a member of the National Fire Service (1941–44). After the war he made several visits to the United States, teaching and lecturing at universities, and in 1965 he became the first non-American to serve as poetry consultant to the Library of Congress (now laureate consultant in poetry) a position he held for one year. In 1970 he was appointed professor of English at University College, London; he became professor emeritus in 1977. He was knighted in 1983. Spender died on July 16, 1995.
Poem: An Elementary School Classroom in a Slum

Far far from gusty waves these children's faces.
Like rootless weeds, the hair torn around their pallor.
The tall girl with her weighed-down head. The paper-
seeming boy, with rat's eyes. The stunted, unlucky heir
Of twisted bones, reciting a father's gnarled disease,
His lesson from his desk. At back of the dim class
One unnoted, sweet and young. His eyes live in a dream,
Of squirrel's game, in the tree room, other than this.

On sour cream walls, donations. Shakespeare's head,
Cloudless at dawn, civilized dome riding all cities.
Belled, flowery, Tyrolese valley. Open-handed map
Awarding the world its world. And yet, for these
Children, these windows, not this world, are world,
Where all their future's painted with a fog,
A narrow street sealed in with a lead sky,
Far far from rivers, capes, and stars of words.

Surely, Shakespeare is wicked, and the map a bad example
With ships and sun and love tempting them to steal--
For lives that slyly turn in their cramped holes
From fog to endless night? On their slag heap, these children
Wear skins peeped through by bones and spectacles of steel
With mended glass, like bottle bits on stones.
All of their time and space are foggy slum.
So blot their maps with slums as big as doom.

Unless, governor, teacher, inspector, visitor,
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open 'till they break the town
And show the children green fields and make their world
Run azure on gold sands, and let their tongues
Run naked into books, the white and green leaves open
History is theirs whose language is the sun.

Theme

In this poem, Stephen Spender deals with the theme of social injustice and class inequalities. He presents the theme by talking of two different and incompatible worlds. The world of the rich and the civilized has nothing to do with the world of narrow lanes and cramped holes. The gap between these two worlds highlights social disparities and class inequalities.

Central Idea

Stephen Spender has presented a true picture of the life of the school children living in the slum of Tyrolese Valley of Austrian Alpine Province. The children are in a very miserable condition due to their poverty and illiteracy. They are depressed. Their pale faces express sadness. They look lean, skinny and bonny. They are like rootless weeds which can’t resist anything for their existence. They are physically very weak and under nourished. Spender voices his concern for these children who live all their life in slums and have no opportunity to enjoy the real blessings of life. He makes a frantic appeal to the educated and affluent sections of the society to better the lot of the slum children through education. It will remove social injustice and class inequality.

Important Extracts

Read the following extracts and answer the questions that follow:

The stunted, unlucky heir of twisted bones, reciting a father’s
Gnarled disease, His lessons from his desk. At back of the dim class
One unnoted, sweet and young. His eyes live in a dream,
Of Squirrel’s game, in the tree room, other than this.

Questions:

Q1. Who is the unlucky heir? Why is he called unlucky?

Ans.  The thin slum boy is the unlucky heir. He is so called because he has inherited poverty, despair and disease from his parents.

Q2. Who sits back unnoted? Why?

Ans. A young boy sits at the back. This boy is different from the others as 'his eyes live' in a dream - he is dreaming and probably thinking about a better future. He is lost in his own world, therefore, not sad like the others. This boy thinks of the 'squirrel's game'. He wants to enjoy and play freely like the squirrel in the garden outside.

Q3. Pick two images each of despair and disease from these lines.

Ans. The images of despair are - ‘unlucky heir’, ‘dim class’, and that of diseases are - ‘twisted bones, gnarled disease’.

Read the following extracts and answer the questions that follow:

And yet, for these
Children, these windows, not this map, their world,
Where all their future’s painted with a fog,
A narrow street sealed in with a lead sky
Far far from rivers, capes and stars of words.

Questions

Q1. Who are these children?

Ans. These are the slum children of Tyrol Valley.

Q2. What is their world like? 

Ans. The school windows are their world because they cannot move beyond them.

Q3. What kind of future does the poet foresee for them? 

Ans. The future of these children is quite dim. As we can't see things in the fog, in the same way the future of these children is looming under darkness. Their future is bleak.

Q4. Why does the poet say that the narrow street is sealed?

Ans. The narrow street is sealed as these provide no opportunity to make an access to the outer world of wisdom.

Read the following extracts and answer the questions that follow:
  
Break O break open till they break the town
And show the children to green fields, and make their world
Run azure on gold sands, and let their tongues
Run naked into books, the white and green leaves open
History theirs whose language is the sun.


Questions:

Q1. What should they break?

Ans. They should break all barriers and obstructions that hinder the school children’s growth.

Q2.  What kind of a world does the poet imagine for these children?

Ans. The poet imagines a world where these children run around in the fields or on sea beaches in a carefree manner. They should also enjoy freedom of knowledge and expression.

Q3.  What does the word ‘sun’ symbolize?

Ans. ‘Sun’ symbolizes light and brightness which, comes from education. Proper education alone can improve the lives of these slum children.

Read the following extracts and answer the questions that follow:

Unless, governor, inspector, visitor,
This map becomes their window and these windows
That shut upon their lives like catacombs,
Break O break open till they break the town
And show the children to green fields, and make their world
Run azure on gold sands, and let their tongues
Run naked into books, the white and white green leaves open
History is theirs whose language is the son.

Questions:

Q1. Who can improve the lot of the poor slum children?

Ans. The rulers, the educationists, the teachers and the general public can pool their efforts to give a better life to the poor slum children.

Q2. What kind of life do they live?

Ans. They are shut up in their dim classrooms and small hovels like dead bodies in the grave.

Q3. What is the poet's appeal to the upper class people?

Ans. The poet urges them to bring some light into the lives of the slum children. They may be imparted education in a healthy atmosphere.

Q4. What is the poet's advice?

Ans. The poet suggests that the slum children should not only be educated properly but also removed from their dirty surroundings to sunny and green fields.

Q5. Explain: "History is theirs whose language is the sun."

Ans. The language that has warmth and power of the sun only can mould and write history.

Short Answer Type Questions

Q. What does the poet want for the children of the slums? How can their lives be made to change?

The poet wants an improvement in the quality of the lives of the slum children. He feels that the government has a moral obligation to provide a meaningful education to these children and to break down the barriers that stand in the way of improving their lives.


Flamingo (English Reader)


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